Skip to main content

Guest Post - The Unreliable Death of Lady Grange


Edinburgh, January 1732: It's Lady Grange's funeral. Her death is a shock: still young, she'd shown no signs of ill health. But Rachel is, in fact, alive. She's been brutally kidnapped by the man who has falsified her death - her husband of 25 years, a pillar of society with whom she has raised a family. Her punishment, perhaps, for railing against his infidelity - or for uncovering evidence of his treasonable plottings against the government. Whether to conceal his Jacobite leanings, or simply to `replace' a wife with a long-time mistress, Lord Grange banishes Rachel to the remote Hebridean Monach Isles, until she's removed again to distant St Kilda, far into the Atlantic - to an isolated life of primitive conditions, with no shared language - somewhere she can never be found. This is the incredible and gripping story of a woman who has until now been remembered mostly by her husband's unflattering account. Sue Lawrence reconstructs a remarkable tale of how the real Lady Grange may have coped with such a dramatic fate, with courage and grace.




As well as writing popular historical thrillers, including Down to the Sea, Sue Lawrence is a leading cookery writer. After winning BBC's MasterChef in 1991, she became a regular contributor to the Sunday Times, Scotland on Sunday and other leading magazines. Raised in Dundee, she now lives in Edinburgh. She has won two Guild of Food Writers Awards.


Comments

Popular posts from this blog

Thinkerbeat Guest Post

Welcome to the Thinkerbeat Anthology Interview Q: What inspired you to start publishing? A: I wrote my first story when I was really young. I used to sit with a typewriter and clunk away at the keys for hours. I’d make a lot of mistakes, but I kept trying. Later, I started sending stories out for publication. I got a lot of rejections, just like everyone does. In college I studied the music business and learned about managing talent. I also played around with the idea of becoming a computer programmer, but my creative side won out and I spent a number of years working in the music business. Down the road, I got an offer to write a children’s book for a publisher. I thought, well, 500 words, how hard can that be? It took me months to finish it. You spend more time describing the illustrations on the page than you do putting words on the page. The staff editor was never happy and we disagreed on a lot of things. But I learned from him. I also kept in mind that if I didn’...

Guest Post from Author Samantha Tonge on Her New Novella

How to Get Hitched in Ten Days is my first novella and the story just flew onto the page. It is a tale of friendship, unrequited love and about turning around the challenges that occasionally strike us all as we go through life. Mikey helps the boyfriend of his best friend and flat mate, Jasmine, turn around a disastrous Valentine’s Day proposal. Early reviews are coming in and I am thrilled that many readers are reacting to Mikey in the way I intended – they all love him and wish he was part of their lives.   As one reviewer,   Coffeeholic Bookworm says: “  I want some Mikey in my life! Mikey isn’t your typical hero. He’s soft, fluffy, sensitive and yummy. His friendship with Jasmine was admirable. He’s a keeper ” Do you have a best friend? Someone you can turn to in your hour of need?   I think I created this character because, apart from my lovely husband, I don’t. And sometimes life gets difficult. You don’t necessarily want to burden your fami...

Cathleen Townsend: Dragon Hoard; And Other Tales of Fairie

Featured on my blog today is a charming little story of the origins of this book from author Cathleen Townsend. Enjoy... Dragon Hoard and Other Tales of Faerie came out of a desire for more fairy tales that felt true to the spirit of the original stories I’d read as a child. We were poor when I was young, and any book given to me was a treasure. One day, when my parents were visiting friends, the kind hostess noticed me sitting quietly in the corner with nothing to do, and she gave me a marvelous book. It was old, published in the Forties. The binding was fragile, but it had over a thousand pages, printed on thin paper with double columns like a Bible. It was a collection of children’s literature, with all the old standbys—Mother Goose and the Three Little Pigs and such—but it also had poetry by Shakespeare, and whoever had compiled it had chosen versions of folklore that required me to stretch to read it. It became my most treasured possession. I pored over descriptio...